狂言
狂言は日本の古典喜劇で、室町時(shí)代（1392～1573）に能と同様、観阿彌、世阿彌父子によって確立されました。當(dāng)初は能の合間に演じられていましたが、現(xiàn)在は単獨(dú)で上演したり、狂言役者が能の中の役を演じたりすることもあります。能に比べると狂言は庶民的です。面をかぶるのは一部の役柄に限られ、化粧もほどこしません。神や鬼など特殊な役柄を除いては15世紀(jì)の日常著が衣裝となります。狂言の筋には人間肯定の精神があり、盜人なども真の悪人としては描かれません。また、能が歌舞中心であるのに対し、狂言にはせりふや劇的行動(dòng)が伴うという特徴もあります。
Kyogen
Kyogen is classical Japanese comic theater and, like Noh, was established in the Muromachi Period(1392-1573) by the father and son pair, Kan'ami and Zeami. At first, Kyogen plays were performed in the intervals between Noh plays, but now they are staged independently and sometimes Kyogen actors take roles in Noh plays. Compared to Noh, Kyogen has mass appeal. Masks are only used in a few roles, and no makeup is put on. Except for the special roles of deities and ogres, the costumes are the daily clothing worn in the fifteenth century. Kyogen plots have anaffirmative human spirit and do not draw thieves and the like as truly wicked people. In addition, in contrast to Noh which centers on chanting and dance, Kyogen's outstanding characteristic is the spoken lines accompanied by dramatic movement.
狂言は日本の古典喜劇で、室町時(shí)代（1392～1573）に能と同様、観阿彌、世阿彌父子によって確立されました。當(dāng)初は能の合間に演じられていましたが、現(xiàn)在は単獨(dú)で上演したり、狂言役者が能の中の役を演じたりすることもあります。能に比べると狂言は庶民的です。面をかぶるのは一部の役柄に限られ、化粧もほどこしません。神や鬼など特殊な役柄を除いては15世紀(jì)の日常著が衣裝となります。狂言の筋には人間肯定の精神があり、盜人なども真の悪人としては描かれません。また、能が歌舞中心であるのに対し、狂言にはせりふや劇的行動(dòng)が伴うという特徴もあります。
Kyogen
Kyogen is classical Japanese comic theater and, like Noh, was established in the Muromachi Period(1392-1573) by the father and son pair, Kan'ami and Zeami. At first, Kyogen plays were performed in the intervals between Noh plays, but now they are staged independently and sometimes Kyogen actors take roles in Noh plays. Compared to Noh, Kyogen has mass appeal. Masks are only used in a few roles, and no makeup is put on. Except for the special roles of deities and ogres, the costumes are the daily clothing worn in the fifteenth century. Kyogen plots have anaffirmative human spirit and do not draw thieves and the like as truly wicked people. In addition, in contrast to Noh which centers on chanting and dance, Kyogen's outstanding characteristic is the spoken lines accompanied by dramatic movement.