Para.3
新音樂(lè)的第二個(gè)特點(diǎn)：廣泛使用電子樂(lè)器及電子放大器技術(shù)
The second thing that happened was that all the musical groups began using the full range of electric instruments and the technology of electronic amplifiers. The electric guitar was an old instrument， but the new electronic effects were altogether different - so different that a new listener in 1967 might well feel that there had never been any sounds like that in the world before. Electronics did， in fact， make possible sounds that no instrument up to that time could produce.And in studio recordings， new techniques made possible effects that not even an electronic band could produce live Electronic amplifiers also made possible a fantastic increase in volume， the music becoming as loud and penetrating as the human ear could stand， and thereby achieving a “total” effect， so that instead of an audience of passive listeners， there were now audiences of total participants， feeling the music in all of their senses and all of their bones.
10.The second thing that happened was that all the musical groups began using the full range of electric instruments and the technology of electronic amplifiers.
句中“that happened”是一個(gè)定語(yǔ)從句，修飾“the second thing.” .
后一個(gè)“that”引導(dǎo)表語(yǔ)從句。
本句意思是：發(fā)生的第二件事是所有樂(lè)隊(duì)都開(kāi)始使用全套的電子樂(lè)器和電子揚(yáng)聲器技術(shù)。
11.so different that a new listener in 1967 might well feel that there had never been any sounds like that in the world before.
本句中有三個(gè)that， 第一個(gè)引導(dǎo)結(jié)果狀語(yǔ)從句，第二個(gè)引導(dǎo)表語(yǔ)從句，第三個(gè)是指示代詞，指的是電吉他發(fā)出的聲音。注意表語(yǔ)從句中用的時(shí)態(tài)是過(guò)去完成時(shí)，說(shuō)明電吉他的效果與1967 年前大不相同。
12.Electronics did， in fact， make possible sounds that no instrument up to that time could produce.
did make 為強(qiáng)調(diào)形式。 possible 在句中作賓語(yǔ)補(bǔ)語(yǔ)，提前到賓語(yǔ)sounds前，因?yàn)樗幸粋€(gè)較長(zhǎng)的定語(yǔ)從句修飾。
13.And in studio recordings， new techniques made possible effects that not even an electronic band could produce live.
本句的順序應(yīng)為“In studio recordings， new techniques made effects that not even an electronic band could produce live possible”。“effects …live” 是made 的賓語(yǔ)，其中that 引導(dǎo)定語(yǔ)從句，修飾effect ， 而possible 則是effects 的賓語(yǔ)補(bǔ)足語(yǔ)。因?yàn)閑ffects 帶有一個(gè)定語(yǔ)從句，從句比較長(zhǎng)，為避免句子不平衡，因此把possible 提前。本句意思是在錄音室錄制時(shí)，新技術(shù)有可能制作出甚至電子樂(lè)隊(duì)現(xiàn)場(chǎng)表演時(shí)也演奏不出的效果。
14.Electronic amplifiers also made possible a fantastic increase in volume， the music becoming as loud and penetrating as the human ear could stand， and thereby achieving a “total” effect， so that instead of an audience of passive listeners， there were now audiences of total participants， feeling the music in all of their senses and all of their bones.
分詞獨(dú)立結(jié)構(gòu)：the music becoming as loud and penetrating as the human ear could stand 在句中作伴隨狀語(yǔ)。 music 是 becoming 的邏輯主語(yǔ)，so that 相當(dāng)于結(jié)果狀語(yǔ)從句。 feeling 現(xiàn)在分詞短語(yǔ)作伴隨狀語(yǔ)。
Para.4
新音樂(lè)的第三個(gè)特點(diǎn)：音樂(lè)成為整個(gè)環(huán)境的一部分
Third， the music becomes a multi-media experience； a part of a total environment. The walls of the ballrooms were covered with changing patterns of light， the beginning of the new art of the light show. And the audience did not sit， it danced. With records at home， listeners imitated these lighting effects as best they could， and heightened the whole experience by using drugs. Often music was played out of doors， where nature provided the environment.
15.句中 “with records at home”是with + 名詞+介詞短語(yǔ)結(jié)構(gòu)，作方式狀語(yǔ)。
“heightened the whole experience” 指“使整個(gè)體驗(yàn)更刺激”。
本句意思是在家里欣賞唱片時(shí)候聽(tīng)眾盡力模仿照明效果，甚至服用毒品來(lái)增強(qiáng)整個(gè)音樂(lè)享受的快感。
附：重點(diǎn)句
1.The new music was built out of materials already in existence： bules， rock‘n’roll， folk music.
2.But although the forms remained， something completely new and original was made out of these older elements - more original， perhaps， than even the new musicians themselves yet realize.
3.Up to that time， the blues had been an essentially black medium.
4.The three forms remained musically and culturally distinct， and even as late as 1965， none of them were expressing any radically new states of consciousness.
5.In England， it was led by the Beatles， who were already established as an extremely fine and highly individual rock group.
6.What happened， as well as it can be put into words， was this. They freely took over elements from jazz， from America country music， and as time went on from even more diverse sources .What developed was a music readily taking on various forms and capable of an almost limitless range of expression.
7.The second thing that happened was that all the musical groups began using the full range of electric instruments and the technology of electronic amplifiers. The electric guitar was an old instrument， but the new electronic effects were altogether different - so different that a new listener in 1967 might well feel that there had never been any sounds like that in the world before. Electronics did， in fact， make possible sounds that no instrument up to that time could produce.And in studio recordings， new techniques made possible effects that not even an electronic band could produce live.Electronic amplifiers also made possible a fantastic increase in volume， the music becoming as loud and penetrating as the human ear could stand， and thereby achieving a “total” effect， so that instead of an audience of passive listeners， there were now audiences of total participants， feeling the music in all of their senses and all of their bones.
8.With records at home， listeners imitated these lighting effects as best they could， and heightened the whole experience by using drugs.
新音樂(lè)的第二個(gè)特點(diǎn)：廣泛使用電子樂(lè)器及電子放大器技術(shù)
The second thing that happened was that all the musical groups began using the full range of electric instruments and the technology of electronic amplifiers. The electric guitar was an old instrument， but the new electronic effects were altogether different - so different that a new listener in 1967 might well feel that there had never been any sounds like that in the world before. Electronics did， in fact， make possible sounds that no instrument up to that time could produce.And in studio recordings， new techniques made possible effects that not even an electronic band could produce live Electronic amplifiers also made possible a fantastic increase in volume， the music becoming as loud and penetrating as the human ear could stand， and thereby achieving a “total” effect， so that instead of an audience of passive listeners， there were now audiences of total participants， feeling the music in all of their senses and all of their bones.
10.The second thing that happened was that all the musical groups began using the full range of electric instruments and the technology of electronic amplifiers.
句中“that happened”是一個(gè)定語(yǔ)從句，修飾“the second thing.” .
后一個(gè)“that”引導(dǎo)表語(yǔ)從句。
本句意思是：發(fā)生的第二件事是所有樂(lè)隊(duì)都開(kāi)始使用全套的電子樂(lè)器和電子揚(yáng)聲器技術(shù)。
11.so different that a new listener in 1967 might well feel that there had never been any sounds like that in the world before.
本句中有三個(gè)that， 第一個(gè)引導(dǎo)結(jié)果狀語(yǔ)從句，第二個(gè)引導(dǎo)表語(yǔ)從句，第三個(gè)是指示代詞，指的是電吉他發(fā)出的聲音。注意表語(yǔ)從句中用的時(shí)態(tài)是過(guò)去完成時(shí)，說(shuō)明電吉他的效果與1967 年前大不相同。
12.Electronics did， in fact， make possible sounds that no instrument up to that time could produce.
did make 為強(qiáng)調(diào)形式。 possible 在句中作賓語(yǔ)補(bǔ)語(yǔ)，提前到賓語(yǔ)sounds前，因?yàn)樗幸粋€(gè)較長(zhǎng)的定語(yǔ)從句修飾。
13.And in studio recordings， new techniques made possible effects that not even an electronic band could produce live.
本句的順序應(yīng)為“In studio recordings， new techniques made effects that not even an electronic band could produce live possible”。“effects …live” 是made 的賓語(yǔ)，其中that 引導(dǎo)定語(yǔ)從句，修飾effect ， 而possible 則是effects 的賓語(yǔ)補(bǔ)足語(yǔ)。因?yàn)閑ffects 帶有一個(gè)定語(yǔ)從句，從句比較長(zhǎng)，為避免句子不平衡，因此把possible 提前。本句意思是在錄音室錄制時(shí)，新技術(shù)有可能制作出甚至電子樂(lè)隊(duì)現(xiàn)場(chǎng)表演時(shí)也演奏不出的效果。
14.Electronic amplifiers also made possible a fantastic increase in volume， the music becoming as loud and penetrating as the human ear could stand， and thereby achieving a “total” effect， so that instead of an audience of passive listeners， there were now audiences of total participants， feeling the music in all of their senses and all of their bones.
分詞獨(dú)立結(jié)構(gòu)：the music becoming as loud and penetrating as the human ear could stand 在句中作伴隨狀語(yǔ)。 music 是 becoming 的邏輯主語(yǔ)，so that 相當(dāng)于結(jié)果狀語(yǔ)從句。 feeling 現(xiàn)在分詞短語(yǔ)作伴隨狀語(yǔ)。
Para.4
新音樂(lè)的第三個(gè)特點(diǎn)：音樂(lè)成為整個(gè)環(huán)境的一部分
Third， the music becomes a multi-media experience； a part of a total environment. The walls of the ballrooms were covered with changing patterns of light， the beginning of the new art of the light show. And the audience did not sit， it danced. With records at home， listeners imitated these lighting effects as best they could， and heightened the whole experience by using drugs. Often music was played out of doors， where nature provided the environment.
15.句中 “with records at home”是with + 名詞+介詞短語(yǔ)結(jié)構(gòu)，作方式狀語(yǔ)。
“heightened the whole experience” 指“使整個(gè)體驗(yàn)更刺激”。
本句意思是在家里欣賞唱片時(shí)候聽(tīng)眾盡力模仿照明效果，甚至服用毒品來(lái)增強(qiáng)整個(gè)音樂(lè)享受的快感。
附：重點(diǎn)句
1.The new music was built out of materials already in existence： bules， rock‘n’roll， folk music.
2.But although the forms remained， something completely new and original was made out of these older elements - more original， perhaps， than even the new musicians themselves yet realize.
3.Up to that time， the blues had been an essentially black medium.
4.The three forms remained musically and culturally distinct， and even as late as 1965， none of them were expressing any radically new states of consciousness.
5.In England， it was led by the Beatles， who were already established as an extremely fine and highly individual rock group.
6.What happened， as well as it can be put into words， was this. They freely took over elements from jazz， from America country music， and as time went on from even more diverse sources .What developed was a music readily taking on various forms and capable of an almost limitless range of expression.
7.The second thing that happened was that all the musical groups began using the full range of electric instruments and the technology of electronic amplifiers. The electric guitar was an old instrument， but the new electronic effects were altogether different - so different that a new listener in 1967 might well feel that there had never been any sounds like that in the world before. Electronics did， in fact， make possible sounds that no instrument up to that time could produce.And in studio recordings， new techniques made possible effects that not even an electronic band could produce live.Electronic amplifiers also made possible a fantastic increase in volume， the music becoming as loud and penetrating as the human ear could stand， and thereby achieving a “total” effect， so that instead of an audience of passive listeners， there were now audiences of total participants， feeling the music in all of their senses and all of their bones.
8.With records at home， listeners imitated these lighting effects as best they could， and heightened the whole experience by using drugs.